Yesterday I got a bit cheeky regarding feature requests for X-Plane 10. Here are a few slightly more serious thoughts regarding the feature request process.
The major features that we are putting into X-Plane 10 were decided, for the most part, a long time ago. Those who we met in France two years ago won’t be surprised by the major items on the list: weather, ATC, airports, and new scenery, new shaders. For that kind of major feature work, we have to start an initiative very early on. Heck – global sun shadows (which I believe we will ship in v10, God willing) were in the works before version 9.0 shipped – it took that long to get an implementation that was useful! (In fact, the v9.0 version was not released because the quality was bad, which is why I am always nervous about announcing features in advance; it ain’t over until it’s over.)
So while it’s exciting to see so many people discussing X-Plane 10, realistically if a feature is a “big” feature and we haven’t started it now, it’s not going into 10.0. That train left the station over a year ago.
There have also been two complicating factors that have cropped up during the X-Plane 9 run:
- Microsoft closed ACES, which definitely changes what we want our next major release to look like.
- The iPhone came along – until the first iPhone release, we had no idea that it would be such a big product.
While we have to plan our big features in advance, the market we are going to ship into changes during development.
So bear with us – a lot of what I see are good ideas that we will get to soon, even if they don’t go in the initial roll-out.
I realized I have slightly better test shots of global illumination than the ones that got out a week ago. These are from only a day or two after the last shots.
This is the Cirrus again, with landing lights and strobes; you can see that all of the airplane’s lights contribute dynamically to the lighting on the fuselage and doors as they move. (Yes, that is heat blur on the engine; the heat blur still needs a lot of tuning.)
This shows airplane-mounted lights interacting with custom scenery. In this case the standard Cirrus (with global lights attached) casts both strobe and multiple landing light spill on LOWI. One of the powerful results of global illumination is that we get correct lighting interaction between diverse content, including third party content.
Finally, this shows an airport beacon lighting a plane and vice versa. The global lights on the airport beacon are inside an animation group, making them “sweep” the airplane, which can in turn animate the airport beacon. With global illumination, there are no rules about who lights who.
Thanks to my foolish use of unprotected directories, we have basically announced that X-Plane 10 will feature global illumination. Here is some basic information on global illumination.
What Is Global Illumination?
Global illumination is the ability of any part of an airplane or scenery system to cast light on any other part of the scenery system or airplane. In X-Plane 9, the only lights in the sim that ever actually cast cast light anywhere else are:
- The sun.
- The airplane’s landing light. (Even if your plane has many landing light billboards, there is only one spill effect.)
- Three 3-d lights in the 3-d cockpit.
This list was kept short due to the high cost per pixel of each light on all rendering.
When X-Plane 10’s global illumination is enabled, a “spill” light attached to any OBJ can shine light on anything near it. Since any OBJ can have a spill light, this means we can have light sources on airplanes, scenery, cars, whatever you want. The spill effects any 3-d scenery nearby, even from another scenery pack.
This kind of still effect can be simulated in X-Plane 9 by careful use of LIT textures. However, real global illumination works between art assets created by separate authors. You can drive your custom airplane up to a custom airport and the landing and logo lights on the airplane will cast light on the terminal; the apron lights from the terminal will cast light on the airplane.
Furthermore, global illumination is fully dynamic – as objects animate or move, the lighting effects are correctly applied in 3-d. This makes effects possible that cannot easily be created using LIT textures.
Requirements for Global Illumination
Like most new rendering tricks in version 10, global illumination will be a rendering option that can be optionally enabled by users who have a video card meeting hardware requirements. In the case of global illumination, that requirement is a DirectX-10 generation video card, e.g. any Radeon HD , nVidia GeForce 8000 or 9000 series, and “100” series (100,200,300,400 series).
For authors: global illumination is applied using named and parametrized lights on your OBJ. Anywhere you can attach a light billboard, you can attach a spill effect as well, with some tuning constants for how wide you want the light, etc.
It will be possible to create two versions of your LIT textures, one to be used when global illumination is enabled, and one when it is disabled. Thus if you are baking lighting into your textures with a 3-d modeling program, you can simply re-bake the lit texture with some lights disabled and add 3-d lights to your model. The result is an airplane with real 3-d lighting where possible, and a close approximation via baking otherwise.
Global illumination can be added to a model incrementally; existing art content will work normally with global illumination enabled or disabled, so authors can choose to add a few light spill effects or add a large number, as time permits.
The Cost of Global Illumination
Global illumination isn’t going to be free. The main cost is an increase in VRAM use and fill-rate. The cost of global illumination is mostly a one-time cost to put X-Plane into a new rendering mode. (Graphics nerds: global illumination is implemented via deferred rendering.) The incremental cost of lights isn’t that high, although a scene with a lot of lights will have impact.
My expectation is that users with new, highly capable high-end graphics cards will be able to run global illumination easily, but will lose some of the other benefits of fill rate. (For example, running at 2560 x 1024 + 4x FSAA is a lot more painful with global illumination than without.)
Global illumination also introduces two artifacts, both of which I am trying to minimize as best as I can. These artifacts are a function of deferred rendering – all games that use deferred rendering have to address these problems:
- The lighting calculations are shared between multiple translucent surfaces, which can create some strange effects. For example, if a translucent window is in shadow, the scenery behind the window will appear to be in shadow too.
- Traditional full-screen anti-aliasing is not available with deferred rendering. We should be able to offer a simulation of 4x FSAA as well as some kind of cheaper FSAA-approximation, but the cost will be quite a bit higher in fill rate than the 16x-style CSAA available now.
(Hardware-based FSAA can make a number of optimizations like CSAA to optimize throughput; this is how such high multiples as 16x are possible. Since our implementation is similar to “super sampling” and costs a real 4x in performance, 4x will be the highest setting.)
Why Global Illumination
Of the new X-Plane 10 rendering engine features (and there are a fair number of them), global illumination is certainly the one that has the most impact on the structure of the rendering engine. With global illumination, X-Plane effectively has two separate modes (“forward” rendering, which is the only mode X-Plane 9 has, and “deferred” rendering, which produces global illumination).
One of the reasons to get global illumination done earlier than other features was that implementing global illumination required rewriting or modifying nearly every piece of low level rendering code. Now that the work is in place, we can safely add new features and test them in both modes.
Global illumination also meets two requirements:
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Sergio has long observed the central importance of lighting and shadows in the look of X-Plane; at some point more polygons and better textures still look synthetic without a realistic illumination model. Global illumination makes a more realistic lighting model possible at night. Airports represent an environment that can hopefully take advantage of such capabilities in a big way.
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As hardware becomes more powerful, authors have to do more work to create content that takes full advantage of the rendering engine. We are reaching a point where artist’s time is going to be a limiting factor as well as hardware and engine capabilities. Global illumination thus kills two birds with one stone: it makes the rendering engine’s output look better, but it also makes the whole scene look better with less work by the artist.
(For example, when baking lighting into a model, the author must plan the model’s texture UV map to guarantee unique texture space for all spill effects. When lighting effects are dynamic, the author can simply texture so the model looks good without worrying about baking requirements.)
There have been a few posts about X-Plane 10 in a few random places; here is a summary of all of the version 10 material that’s been previewed so far, and some notes on what is actually being shown.
First we had Paul’s Oshkosh 2010 video:
//www.youtube.com/watch?v=yCoDPNvOMP0?fs=1
I think this has been made clear already, but:
- The base simulator shown here is not X-Plane 10, it is X-Plane 9.
- Many of the airplanes shown here will be released for X-Plane 10.
- This is not showing the new X-Plane weather system or global lighting.
- Some of the content shown here are third party add-ons, available today for X-Plane 9.
The main purpose of this video was to show X-Plane off at Oshkosh; at the time we didn’t have X-Plane 10 in a state where we could do an exclusive version 10 preview.
Then I accidentally leaked two test videos of global illumination. This was strictly accidental: I was looking for a cheap way to post a large video for Austin and Propsman late at night and didn’t think anyone would sift through 191 zip files to find two obscurely named videos. I was wrong, and someone found them on the org. I appreciate that participants in the ensuing discussion withheld judgment; these were early test videos and don’t represent the final feature in any useful way. They do, however show off some of what global lighting will mean.
- This is the Cirrus Jet with landing lights implemented via global illumination. We get two distinct landing lights that cast specular hilights on the fuselage. As the door animates, it opens “into the light”.
- This is the Avanti Piaggio with strobes and beacons implemented via global illumination. The strobes cast light both on the fuselage and on the runway below the plane.
This second movie is typical of the kinds of tests I do: the beacon lighting is just awful – a gross huge red light splatted on the plane for test purposes. When I get the rendering engine code working I usually hand the feature off to Propsman or Sergio to tune the textures and art constants. In this case, the videos are pre-tuning.
Austin has posted three screen-shots of X-Plane 10-related content:
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This is Javier’s new shuttle, which I believe will ship in version 10. I believe this shot may have been taken in X-Plane 9. So this is not the new weather system.
Some of these screenshots and Paul’s video were shot in X-Plane 9. By the time the new airplanes are finished, they will not be usable in version 9 – they will be version 10 only.
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Propsman has done work on the lighting system. It can be subtle to see what’s going on here because the old runway lights looked pretty good too, but most of these billboard lights are actually rebuilt.
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This night shot shows global illumination in the scenery system. The glow on the highway pavement is not rendered; it comes from the 3-d lamps along the side of the road. Similarly, the car headlights spill light on the pavement and each other as they drive. (Note how the highway lines are visible in the headlight spill even when there is no streetlight.)
One difficult problem with rendering a lit highway at night is that the lighting from street lamps on a highway tend to spill light on the surrounding terrain, an effect that is impossible to create with a LIT texture. If you look at the right side of the main highway at the bottom of the picture, you’ll see that the street light is casting light on the grass to the right of the highway too.
I think that that’s all we have posted. At least, it’s all I am aware of. I will go into some of the details of global illumination in another post.
